Dune: Part One is definitely another example of the atmospheric sci-fi that director Denis Villeneuve was best known for, who also directed Arrival and Blade Runner 2049 Rooms. You might think that some of these interiors, like the Arakeen Fortress, were built with green screen sets, but you are wrong.

As SlashFilm reports, production designer Patrice Vermette has avoided green screens by simply using painted fabric.

Vermette, who also works on Dune: Part Two and Tron 3, said the production team built every interior out of fabric that was taller than 24 or 30 feet. This fabric was replaced with the usual special effects software in post-production, but the real benefit of fabric was giving actors and artists a more believable space to work, rather than a sparse green screen.

Dune film frames

Painting fabrics to mimic the look of the set also enabled post-production artists to avoid the nasty green hues created by greenscreens. Using fabrics to imitate a deeper space than is financially or physically possible is a common practice in theater, where actors are often confined to a (comparatively) small stage.

“This technique would determine where the light would come from and what obstacles the light would hit,” Vermette told SlashFilm.

“So the sets would be lit, it would help to get the set lit properly to represent what was on the concept piece. It would also indicate to the VFX which areas needed to collide with the correct texture. Overall, there was the right lighting environment so that the VFX part would be better integrated. So the light is not polluted by green. All of this creates this world that makes it more real. “

Dune: Part Two will begin filming in July 2022, a producer confirmed earlier this month. If you’re interested in how Dunes VFX artists brought the winged ornithopters to life, check out our video. You can also check out what to expect from the Dune: Part Two storyline.

Joseph Knoop is a writer / producer for IGN.

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